When Kris Kelvin arrives at the planet Solaris to study the ocean that covers its surface he is forced to confront a painful, hitherto unconscious memory embodied in the physical likeness of a long-dead lover. Others suffer from the same affliction and speculation rises among scientists that the Solaris ocean may be a massive brain that creates incarnate memories, but its purpose in doing so remains a mystery . . . Solaris raises a question that has been at the heart of human experience and literature for centuries: can we truly understand the universe around us without first understanding what lies within?

An astronaut returns to Earth after a ten-year mission and finds a society that he barely recognizes. Stanislaw Lem's Return from the Stars recounts the experiences of Hal Bregg, an astronaut who returns from an exploratory mission that lasted ten years-although because of time dilation, 127 years have passed on Earth. Bregg finds a society that he hardly recognizes, in which danger has been eradicated. Children are "betrizated" to remove all aggression and violence-a process that also removes all impulse to take risks and explore. The people of Earth view Bregg and his crew as "resuscitated Neanderthals," and pressure them to undergo betrization. Bregg has serious difficulty in navigating the new social mores. While Lem's depiction of a risk-free society is bleak, he does not portray Bregg and his fellow astronauts as heroes. Indeed, faced with no opposition to his aggression, Bregg behaves abominably. He is faced with a choice: leave Earth again and hope to return to a different society in several hundred years, or stay on Earth and learn to be content. With Return from the Stars, Lem shows the shifting boundaries between utopia and dystopia.

Who's testing whom? When Kris Kelvin arrives at the planet Solaris to study the ocean that covers its surface, he is forced to confront a painful, hitherto unconscious memory embodied in the living physical likeness of a long-dead lover. Others examining the planet, Kelvin learns, are plagued with their own repressed and newly corporeal memories. Scientists speculate that the Solaris ocean may be a massive brain that creates these incarnate memories, its purpose in doing so unknown.
The first of Lem's novels to be published in America and now considered a classic, SOLARIS raises a question: Can we truly understand the universe around us without first understanding what lies within?

A space cruiser, in search of its sister ship, encounters beings descended from self-replicating machines. In the grand tradition of H. G. Wells and Jules Verne, Stanislaw Lem's The Invincible tells the story of a space cruiser sent to an obscure planet to determine the fate of a sister spaceship whose communication with Earth has abruptly ceased. Landing on the planet Regis III, navigator Rohan and his crew discover a form of life that has apparently evolved from autonomous, self-replicating machines-perhaps the survivors of a "robot war." Rohan and his men are forced to confront the classic quandary: what course of action can humanity take once it has reached the limits of its knowledge? In The Invincible, Lem has his characters confront the inexplicable and the bizarre: the problem that lies just beyond analytical reach.

Stanislaw Lem died on 26 March, 2006 but in this book his voice can be heard afresh for the benefit of all those who believe that, with his passing, a quintessential element of twentieth-century artistic and intellectual heritage has come to an end. Peter Swirski's edited and annotated translation of Lem's fifteen-year correspondence with his principal American translator offers an unparalleled testimony to the raw intellectual powers, smouldering literary passions, and abiding personal concerns from the central period of the writer's life and career. Even as they reposition Lem as a consummate litterateur and an intellectual oracle, the letters reveal tantalizing glimpses of the man behind the giant. Fighting depression, at times hitting the bottle, plagued by ill health, obsessed by his legacy, driven to distraction by lack of appreciation in the United States, Lem the arch-rationalist emerges here at his most human, vulnerable, and... likeable.

Scientists attempt to decode what may be a message from intelligent beings in outer space. By pure chance, scientists detect a signal from space that may be communication from rational beings. How can people of Earth understand this message, knowing nothing about the senders-even whether or not they exist? Written as the memoir of a mathematician who participates in the government project (code name: His Master's Voice) attempting to decode what seems to be a message from outer space, this classic novel shows scientists grappling with fundamental questions about the nature of reality, the confines of knowledge, the limitations of the human mind, and the ethics of military-sponsored scientific research.

'A giant of twentieth-century science fiction' Guardian One of the world's most beloved science fiction writers, Stanislaw Lem was famed for his wryly comic, outlandish imaginings of the relationship between humans and technology. In this playful cosmic fantasia, two 'constructors' compete to dream up ever-more ingenious inventions in a universe beyond reality. 'A Jorge Luis Borges for the Space Age, who plays with every concept of philosophy and physics' The New York Times

An early realist novel by Stanislaw Lem, taking place in a Polish psychiatric hospital during World War II. Taking place within the confines of a psychiatric hospital, Stanislaw Lem's The Hospital of the Transfiguration tells the story of a young doctor working in a Polish asylum during World War II. At first the asylum seems like a bucolic refuge, but a series of sinister encounters and incidents reveal an underlying brutality. The doctor begins to seek relief in the strange conversation of the poet Sekulowski, who is posing as a patient in a bid for safety from the occupying German forces. Meanwhile, Resistance fighters stockpile weapons in the surrounding woods. A very early work by Lem, The Hospital of the Transfiguration is partly autobiographical, drawing on the author's experiences as a medical student. Written in 1948, it was suppressed by Polish censors and not published until 1955. The censorship of this realist novel is partly what led Lem to focus on science fiction and nonfiction for the rest of his career.

'A giant of twentieth-century science fiction' Guardian 'This Room Guaranteed BOMB-FREE. From the Management' Hapless cosmonaut Ijon Tichy has been sent back to earth to attend the Eighth Futurological Congress in smog-bound, overpopulated Costa Rica, holed up with an assortment of scientists in a luxury hotel (fully equipped with tear gas sprinklers in case things get out of hand). But when an unfortunate incident occurs involving a revolution and hallucinogenic drugs in the water supply, Tichy finds himself shot, frozen and thawed out in a future beyond anything he could ever have imagined.

The travels of Ijon Tichy, a Gulliver of the space age, who encounters faulty time machines, intelligent washing machines, suicidal potatoes, and other puzzling phenomena. Memoirs of a Space Traveler follows the adventures of Ijon Tichy, a Gulliver of the space age, who leads readers through strange experiments involving, among other puzzling phenomena, faulty time machines, intelligent washing machines, and suicidal potatoes. The scientists Tichy encounters make plans that are grandiose, and strike bargains that are Faustian. They pursue humanity's greatest and most ancient obsessions: immortality, artificial intelligence, and top-of-the-line consumer items. By turns satirical, philosophical, and absurd, these stories express the most starkly original and prescient notions of a master of speculative fiction.

A charming, mind-bending and anarchic book of imagined civilizations 'Most cosmic civilizations long for things, in the depths of their souls, they would never openly admit to...' Trurl and Klapaucius are 'constructors' - they travel around the universe creating machines of astonishing inventiveness and power and visiting a bewildering variety of violent, peculiar and morose civilizations. The Cyberiad is oddly reminiscent of Gulliver's Travels, The Hitchhiker's Guide to the Galaxy, The Phantom Tollbooth and Alice in Wonderland. Charming, mind-bending and anarchic, it is perhaps Lem's greatest work. This edition includes all of Daniel Mroz's hallucinatory original illustrations.

From 'A giant of twentieth-century science fiction' (Guardian), the adventures of Pirx, a hapless everyman in outer space 'By now he fancied himself something of a rocket jockey, a space ace, whose real home was among the planets' In a future where space travel has become routine and unremarkable, Pirx the pilot bumbles and daydreams his way through the solar system. These endearing tales follow his progress from cadet to captain. But, whether he is wrestling with a misbehaving spacesuit, feeling uncomfortable on a luxury space cruise ship or encountering a mysterious malfunctioning robot on a mission to Mars, the hapless Pirx just can't stop things from going terribly wrong. Translated by Louis Iribarne

A Jorge Luis Borges for the Space Age - The New York Times Stanislaw Lem's set of short stories, written over a period of twenty years, all feature the adventures of space traveller Ijon Tichy and recount him spinning in time-warps, spying on robots, encountering bizarre civilizations and creatures in space and being hopelessly lost in a forest of supernovae. This is a philosophical satire on technology, theology, intelligence and human nature from one of the greatest of science fiction writers

Ijon Tichy, Lem's Candide of the Cosmos, encounters bizarre civilizations and creatures in space that serve to satirize science, the rational mind, theology, and other icons of human pride. Line drawings by the Author. Translated by Michael Kandel.

This is a collection of perfect yet imaginary reviews of nonexistent books. With insidious wit, the author beguiles us with a parade of delightful, disarmingly familiar inventions. "Lem is Harpo Marx and Franz Kafka and Isaac Asimov rolled up into one and down the white rabbit's hole" (Detroit News). A Helen and Kurt Wolff Book

'There were two kinds of landscape characteristic of the inner planets of the Sun: the purposeful and the desolate.' The planet Quinta is pocked with ugly mounds and covered by a spiderweb-like network draped from spindly poles. It is a kingdom of phantoms and of a beauty afflicted by madness. The Earth spaceship Hermes arrives on Quinta with the best of intentions towards the humans' 'brothers in intelligence'. But something on the planet has gone terribly wrong...

A playful, witty, reflective memoir of childhood by the science fiction master Stanislaw Lem. With Highcastle, Stanislaw Lem offers a memoir of his childhood and youth in prewar Lvov. Reflective, artful, witty, playful-"I was a monster," he observes ruefully-this lively and charming book describes a youth spent reading voraciously (he was especially interested in medical texts and French novels), smashing toys, eating pastries, and being terrorized by insects. Often lonely, the young Lem believed that he could communicate with household objects-perhaps anticipating the sentient machines in the adult Lem's novels. Lem reveals his younger self to be a dreamer, driven by an unbridled imagination and boundless curiosity. In the course of his reminiscing, Lem also ponders the nature of memory, innocence, and the imagination. Highcastle (the title refers to a nearby ruin) offers the portrait of a writer in his formative years.

A six-man crew crash-lands on Eden, fourth planet from another sun. The men find a strange world that grows ever stranger, and everywhere there are images of death. The crew's attempt to communicate with this civilization leads to violence and to a cruel truth-cruel precisely because it is so human. Translated by Marc E. Heine. A Helen and Kurt Wolff Book

These fourteen science fiction stories reveal Lem's fascination with artificial intelligence and demonstrate just how surprisingly human sentient machines can be. "Astonishing is not too strong a word for these tales" (Wall Street Journal). Translated and with an Introduction by Michael Kandel.

Commander Pirx, who drives space vehicles for a living in the galaxy of the future, here faces a new series of intriguing adventures in which robots demonstrate some alarmingly human characteristics. On one interplanetary trip, a robot actually shows curiosity and even generosity; on another, a robot is lured to try mountain climbing. The two longest stories are puzzles in which the mysteries of artificial intelligence are explored. Pirx wrestles every step of the way with his mixed feelings about robots, which make him increasingly suspicious and apprehensive. Lem writes of the cold and aloof technology of the future with deep humanity and high lyricism.

Written over a lifetime and never before analyzed, the 13 science fiction stories contained in this volume find the best of Stanislaw Lem, a visionary and violently intelligent writer. The diversity of these collected stories is enormous, and they share a history of artificial intelligence trying to escape its destiny and continuing toward free will.

This third appearance for imperturbable astronaut Ijon Tichy extends the horrifying notions on future weapons and warfare that Lem advanced in One Human Minute. The governments of Earth have banished the arms race to the moon, where miniaturized, self-replicating weapons equipped with artificial instincts were provided the means to evolve and compete in utter secrecy - the intended outcome being a self-adjusted stalemate. However...

The planet Quinta is pocked by ugly mounds and covered by a spiderweb-like network. It is a kingdom of phantoms and of a beauty afflicted by madness. In stark contrast, the crew of the spaceship Hermes represents a knowledge-seeking Earth. As they approach Quinta, a dark poetry takes over and leads them into a nightmare of misunderstanding. Translated by Michael Kandel. A Helen and Kurt Wolff Book